Bill Clinton
The first thing that we see is how "dark" the strokes are. This signifies a great deal of energy and an ability to work hard and for long periods of time. The slant is rotating from tilting a little backward to an upright position. We know that any movement backwards is the result of early emotional hurt and now represents a protective caution.
The upright strokes gives us a clue to his great need to be fair and objective when working on intiatives or with people. There are no upstrokes on the beginning of words which is a sign that he is very direct, efficient, and can prioritize easily. The lines are nicely separated depicting his organization, and the left margin is straight and the finals on on the ends of words are blunt, so we know that decisions are easily made.
Looking at the little tents under most of his letters gives us a clue to just how firm, and even stubborn, he can become once his mind is made up. The points throughout the script depict his quick as lightning mental processes. The "i" dots clue us in on his attention to detail and his recall ability.
We do not see upper loops in the script because this is not the writing of an idealist but of a pragmatic realist. Note the closeness of the words; this validates what we already know. President Clinton loves to get close to people. He moves in on them, and he is energized by them.
One cannot look at this script and not pick up the power in it. Power contained and restrained, but power just the same. To a handwriting analyst, this does not look like a Roosevelt or a Kennedy but more like a Truman or a Johnson.
Guest Analyst: Sister June Canoles, SND, MGA
The upright strokes gives us a clue to his great need to be fair and objective when working on intiatives or with people. There are no upstrokes on the beginning of words which is a sign that he is very direct, efficient, and can prioritize easily. The lines are nicely separated depicting his organization, and the left margin is straight and the finals on on the ends of words are blunt, so we know that decisions are easily made.
Looking at the little tents under most of his letters gives us a clue to just how firm, and even stubborn, he can become once his mind is made up. The points throughout the script depict his quick as lightning mental processes. The "i" dots clue us in on his attention to detail and his recall ability.
We do not see upper loops in the script because this is not the writing of an idealist but of a pragmatic realist. Note the closeness of the words; this validates what we already know. President Clinton loves to get close to people. He moves in on them, and he is energized by them.
One cannot look at this script and not pick up the power in it. Power contained and restrained, but power just the same. To a handwriting analyst, this does not look like a Roosevelt or a Kennedy but more like a Truman or a Johnson.
Guest Analyst: Sister June Canoles, SND, MGA
